VI
by Elizabeth Barrett Browning
· (no date)
Published 01/07/1880
Part of Part I
Is so far plain in this—that Italy,
Long trammelled with the purple of her youth
Against her age's due activity,
Sate still upon her graves, without the ruth
Of death, but also without energy
And hope of life. "What's Italy?" men ask:
And others answer, "Virgil, Cicero,
Catullus, Cæsar." And what more? to task
The memory closer—"Why, Boccaccio,
Dante, Petrarca,"— and if still the flask
Appears to yield its wine by drops too slow,—
"Angelo, Raffael, Pergolese,"—all
Whose strong hearts beat through stone, or charged, again,
Cloth-threads with fire of souls electrical,
Or broke up heaven for music. What more then?
Why, then, no more. The chaplet's last beads fall
In naming the last saintship within ken,
And, after that, none prayeth in the land.
Alas, this Italy has too long swept
Heroic ashes up for hour-glass sand;
Of her own past, impassioned nympholept!
Consenting to be nailed by the hand
To the same bay-tree under which she stepped
A queen of old, and plucked a leafy branch;
And licensing the world too long, indeed,
To use her brood phylacteries to staunch
And stop her bloody lips, which took no heed
How one quick breath would draw an avalanche
Of living sons around her, to succeed
The vanished generations. Could she count
Those oil-eaters, with large, live, mobile mouths
Agape for maccaroni, in the amount
Of consecrated heroes of her south's
Bright rosary? The pitcher at the fount,
The gift of gods, being broken,—why, one loathes
To let the ground-leaves of the place confer
A natural bowl. And thus, she chose to seem
No nation, but the poet's pensioner,
With alms from every land of song and dream;
While her own pipers sweetly piped of her,
Until their proper breaths, in that extreme
Of sighing, split the reed on which they played!
Of which, no more: but never say "no more"
To Italy! Her memories undismayed
Say rather "evermore"—her graves implore
Her future to be strong and not afraid—
Her very statues send their looks before!